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My Week with Marilyn
In 1956 England, Colin Clark lands a job as a production assistant on the set of 'The Prince and the Showgirl,' starring Marilyn Monroe and documents the tense interaction between Olivier and Marilyn Monroe during the production of the show.

















1967, England, UK

22 October 1938, Leytonstone, London, England, UK

7 September 1966, Hammersmith, London, England, UK

31 October 1948, Leicester, Leicestershire, England, UK

19 August 1948, Harrogate, Yorkshire, England, UK

1968


12 January 1961, Penang, Malaysia


2 June 1978, Greenwich, London, England, UK


10 December 1960, Belfast, Northern Ireland, UK

25 November 1965, Glenrothes, Fife, Scotland, UK

18 November 1977, Burnham Thorpe, Norfolk, England, UK

8 June 1963, England, UK

11 June 1955, India




17 March 1964, Liverpool, England, UK

14 January 1984, Turin, Italy

9 September 1980, Kalispell, Montana, USA

29 November 1948, Aberdeen, Grampian, Scotland, UK

1950, Worthing, Sussex, England, UK



February 24, 2016
It would be easy to overpraise this very slight little picture. But its heart is in the right place. Marilyn was now and then, here and there, kind of fun to be with.
March 04, 2013
A fun and tender tale of infatuation backed by two outstanding Oscar-nominated performances.
June 30, 2013
Michelle Williams stuns in an Oscar-worthy performance in one of the year's best films.
October 05, 2016
This all sounds like the stuff of frothy period romance, but it comes off as dated, silly, and a little boring.
May 03, 2015
A great big slab of middlebrow fan-fiction.
November 25, 2011
[Williams] floats through the movie, perfectly capturing Monroe's way of rhythmically whispering through a song, looking softly frightened when uncertain, and not strolling so much as delicately oozing across the floor.
May 09, 2016
Enjoyable yet somewhat thin.
June 20, 2013
I believe the heart of the film, and the cleverest stroke of all, is Eddie Redmayne as Colin Clark, someone few of us will have heard of.
November 25, 2011
Williams is a more three-dimensional Monroe than the love goddess herself. The performance is both an eerie imitation and a touching revelation.
November 25, 2011
Curtis occasionally takes his characters out of Pinewood, but they're never really set free, either in physical or emotional .
November 26, 2011
A dubious idea done in by Adrian Hodges's shallow script and Simon Curtis's clumsy direction.
December 02, 2011
That's all familiar lore but, to his credit, director Simon Curtis lays out these separate ambitions and conflicting tensions with breezy dispatch in the early frames.