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Limelight
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Keywords: #Nigel Bruce
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HEROES OF "Limelight"
Limelight
CRITICS OF "Limelight"
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Under the Radar
Resource

May 21, 2015

Some have also accused Limelight of being too sentimental, but we'd argue that's part of its charm.
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Empire Magazine
Resource

March 09, 2011

Elements of self parody from the master of slapstick leave you yearning for the early work that made his name. But it's worth a watch to see Chaplin and Keaton in one of few on-screen appearances together.
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Film Inquiry
Resource

April 11, 2017

With Limelight, for one last, brief moment, it's like old times even as the new age begins and Chaplin relinquishes his crown to the younger generations.
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TV Guide
Resource

August 08, 2011

Chaplin, as usual, is the whole show, superb in this swansong statement about his own career and the old-style entertainment he best represented.
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New York Times

March 25, 2006

Neither comedy nor tragedy altogether, it is a brilliant weaving of comic and tragic strands, eloquent, tearful and beguiling with supreme virtuosity.
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Lawrence.com
Resource

June 13, 2015

It was Chaplin's last great film, and it showcases not just a love for the performing arts (she's a ballerina, he's a vaudevillian), but also Chaplin's effortless sentimentality.
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Chicago Sun-Times
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August 08, 2011

What comes through most clearly in Limelight, however, is that Chaplin had come to with his life.
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Time Out
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February 09, 2006

Few cinema artists have delved into their own lives and emotions with such ruthlessness and with such moving results.
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Chicago Reader
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January 01, 2000

Charles Chaplin's 1952 film is overlong, visually flat, episodically constructed, and a masterpiece.
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Variety
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March 26, 2009

Departing from most forms of Hollywood stereotype, the film has a flavor all its own in the sincere quality of the story anent the onetime great vaudemime and his rescue of a femme ballet student.
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TIME Magazine
Resource

August 08, 2011

Intended as a tragicomedy, if not a tearjerker, it is a two-thirds bore that comes to life in the last half-hour or so, when the old-master clown stops trying to be pathetic and reverts to his inimitable proper stuff.
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