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All That Heaven Allows
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Keywords: #Rock Hudson
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DIRECTORS OF "All That Heaven Allows"
All That Heaven Allows
CRITICS OF "All That Heaven Allows"
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Empire Magazine
Resource

October 16, 2007

Romance novel in narrative this transcends its genre with visual depth and perceptive socio-cultural insights.
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EmanuelLevy.Com
Resource

February 07, 2006

When Carey (Jane Wyman) first visits the Andersons, friends of Ron (Rock Hudson), Thoreau's Walden is placed on the table. She then reads a age in which he describes the "mass of men living lives of quiet desperation," a summation of her life.
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Combustible Celluloid
Resource

May 26, 2006

'Time, if anything, will vindicate Douglas Sirk,' wrote Andrew Sarris in 1968. He was right.
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City Pages, Minneapolis/St. Paul
Resource

August 21, 2009

Sirk benefited immeasurably from the fact that the chief subject of his crazy cinema was postwar America.
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TV Guide
Resource

October 16, 2007

One of Sirk's finest films.
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Chicago Reader
Resource

September 04, 2004

A masterpiece (1955) by one of the most inventive and recondite directors ever to work in Hollywood, Douglas Sirk.
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Urban Cinefile
Resource

October 18, 2008

A classic and beautiful film for those who love romantic stories
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Variety
Resource

October 16, 2007

Hudson is handsome and somewhat wooden. Laconic of speech, and imbued with an angel's patience and understanding, it's at times hard to understand his ion for the widow, what with pretty girls just spoilingfor his attention.
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Movie Metropolis
Resource

August 03, 2014

Works as a straightforward melodrama, but is so meticulously crafted by a visual master that it provides endless material for those who wish to mine for deeper social commentary.
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Antagony & Ecstasy
Resource

July 13, 2014

Proof that there is artistry and glory in a genre that never had to apologise for itself, not when it was this confident, beautiful, and good.
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Time Out
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February 09, 2006

Beneath the stunningly lovely visuals -- all expressionist colours, reflections, and frames-within-frames, used to produce a precise symbolism -- lies a kernel of terrifying despair
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New York Times

March 25, 2006

Solid and sensible drama plainly had to give way to outright emotional bulldozing and a paving of easy clichés.
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